House Quotes

A house without books is like a room without windows.

Love is like a brick. You can build a house, or you can sink a dead body.

Nature is a haunted house--but Art--is a house that tries to be haunted.

But the plans were on display…
On display? I eventually had to go down to the cellar to find them.
That’s the display department.
With a flashlight.
Ah, well, the lights had probably gone.
So had the stairs.
But look, you found the notice, didn’t you?
Yes, said Arthur, yes I did. It was on display in the bottom of a locked filing cabinet stuck in a disused lavatory with a sign on the door saying ‘Beware of the Leopard.

Claire stretched out against the wall and kissed it. "Glad to see you, too," she whispered, and pressed her cheek against the smooth surface. It almost felt like it hugged her back.
"Dude, it's a
house
," Shane said from behind her. "Hug somebody who cares.

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met neatly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Oh, I wouldn't say Love always makes you happy. Sometimes it makes you incredibly sad.

We all live in a house on fire, no fire department to call; no way out, just the upstairs window to look out of while the fire burns the house down with us trapped, locked in it.

The ornament of a house is the friends who frequent it.

The road to Manderley lay ahead. There was no moon. The sky above our heads was inky black. But the sky on the horizon was not dark at all. It was shot with crimson, like a splash of blood. And the ashes blew towards us with the salt wind from the sea.

I should say: the house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace.

When I did finally speak, I surprised myself by saying exactly what was on my mind.
You must hate me.
She stared a long time at me.
I did, she said slowly, But it’s mostly myself I hate.
Don’t, I said.
And why the hell shouldn’t I hate myself? Everybody else hates me.

I don’t want any of this. I just want to be what I was before you showed up here and all hell broke loose. I want to be popular and dating the hottest guy in school. Now I’m none of those things, and I’m a human who has scary visions and don’t know what to do about any of it.

What-what do you want?" Annabeth asked, trying to maintain a tone of confidence.
The voice cackled maliciously.
'To curse you, of course! To destroy you thousand times in the name of Mother Night!'
"Only a thousand times?" Percy murmured. "Oh, good...I thought we were in trouble.

He's waiting for yu, young queen.'
Shocked, I stared at Seoras. 'Heath?'
The Warrior's look was wise and understanding - his voice gentle. 'Aye, yur Heath probably does await you somewhere in the future, but it is of your Guardian I speak.

Whenever you go on a trip to visit foreign lands or distant places, remember that they are all someone's home and backyard.

It [Ashfair House] was an old fashioned house—the sort of house in fact, as Strange expressed it, which a lady in a novel might like to be persecuted in.

The fairies, as their custom, clapped their hands with delight over their cleverness, and they were so madly in love with the little house that they could not bear to think they had finished it.

Through countless births in the cycle of existence
I have run, not finding
although seeking the builder of this house;
and again and again I faced the suffering of new birth.
Oh housebuilder! Now you are seen.
You shall not build a house again for me.
All your beams are broken,
the ridgepole is shattered.
The mind has become freed from conditioning:
the end of craving has been reached.

Hill House, she thought, You're as hard to get into as heaven.

Everyone needs a house to live in, but a supportive family is what builds a home.

My old man's a white old man
And my old mother's black.
If ever I cursed my white old man
I take my curses back.
If ever I cursed my black old mother
And wished she were in hell,
I'm sorry for that evil wish
And now i wish her well
My old man died in a fine big house
My Ma died in a shack.
I wonder were i'm going to die,
Being neither white nor black?

Of course, thanks to the house, a great many of our memories are housed, and if the house is a bit elaborate, if it has a cellar and a garret, nooks and corridors, our memories have refuges that are all the more clearly delineated. All our lives we come back to them in our daydreams. A psychoanalyst should, therefore, turn his attention to this simple localization of our memories. I should like to give the name of topoanalysis to this auxiliary of pyschoanalysis. Topoanalysis, then would be the systematic psychological study of the sites of our intimate lives.

It didn't matter how big our house was; it mattered that there was love in it.

Red Fox
The red fox crosses the ice
intent on none of my business.
It's winter and slim pickings.
I stand in the bushy cemetery,
pretending to watch birds,
but really watching the fox
who could care less.
She pauses on the sheer glare
of the pond. She knows I'm there,
sniffs me in the wind at her shoulder.
If I had a gun or dog
or a raw heart, she'd smell it.
She didn't get this smart for nothing.
She's a lean vixen: I can see
the ribs, the sly
trickster's eyes, filled with longing
and desperation, the skinny
feet, adept at lies.
Why encourage the notion
of virtuous poverty?
It's only an excuse
for zero charity.
Hunger corrupts, and absolute hunger
corrupts absolutely,
or almost. Of course there are mothers,
squeezing their breasts
dry, pawning their bodies,
shedding teeth for their children,
or that's our fond belief.
But remember - Hansel
and Gretel were dumped in the forest
because their parents were starving.
Sauve qui peut
. To survive
we'd all turn thief
and rascal, or so says the fox,
with her coat of an elegant scoundrel,
her white knife of a smile,
who knows just where she's going:
to steal something
that doesn't belong to her -
some chicken, or one more chance,
or other life.

It stood calm against the suburban storm raging around it. The thunder screamed across the sky; it slapped the clouds into a heated turmoil that flew towards the south.

It was at that moment he realized that his spirit was truly human once more. For he no longer remembered how to be alone without being lonely.

I am glad that it is old and big. I myself am of an old family, and to live in a new house would kill me. A house cannot be made habitable in a day; and, after all, how few days go to make up a century. I rejoice also that there is a chapel of old times. We Transylvanian nobles love not to think that our bones may be amongst the common dead. I seek not gaiety nor mirth, not the bright voluptuousness of much sunshine and sparkling waters which please the young and gay. I am no longer young; and my heart, through wearing years of mourning over the dead, is not attuned to mirth. Moreover, the walls of my castle are broken; the shadows are many, and the wind breathes cold through the broken battlements and casements. I love the shade and the shadow, and would be alone with my thoughts when I may.

That porch is a happy-looking place, and my father - burdened, stoop-shouldered, cadaverously thin - doesn't seem to belong on it.

There is some of the same fitness in a man's building his own house that there is in a bird's building its own nest. Who knows but if men constructed their dwellings with their own hands, and provided food for themselves and families simply and honestly enough, the poetic faculty would be universally developed, as birds universally sing when they are so engaged? But alas! we do like cowbirds and cuckoos, which lay their eggs in nests which other birds have built, and cheer no traveller with their chattering and unmusical notes. Shall we forever resign the pleasure of construction to the carpenter?

The house had a name. The Banana House. It was carved onto a piece of sandstone above the front door. It made no sense to anyone.

Helen of Troy Does Counter Dancing
The world is full of women
who'd tell me I should be ashamed of myself
if they had the chance. Quit dancing.
Get some self-respect
and a day job.
Right. And minimum wage,
and varicose veins, just standing
in one place for eight hours
behind a glass counter
bundled up to the neck, instead of
naked as a meat sandwich.
Selling gloves, or something.
Instead of what I do sell.
You have to have talent
to peddle a thing so nebulous
and without material form.
Exploited
, they'd say. Yes, any way
you cut it, but I've a choice
of how, and I'll take the money.
I do give value.
Like preachers, I sell vision,
like perfume ads, desire
or its facsimile. Like jokes
or war, it's all in the timing.
I sell men back their worst suspicions:
that everything's for sale,
and piecemeal. They gaze at me and see
a chain-saw murder just before it happens,
when thigh, ass, inkblot, crevice, tit, and nipple
are still connected.
Such hatred leaps in them,
my beery worshipers! That, or a bleary
hopeless love. Seeing the rows of heads
and upturned eyes, imploring
but ready to snap at my ankles,
I understand floods and earthquakes, and the urge
to step on ants. I keep the beat,
and dance for them because
they can't. The music smells like foxes,
crisp as heated metal
searing the nostrils
or humid as August, hazy and languorous
as a looted city the day after,
when all the rape's been done
already, and the killing,
and the survivors wander around
looking for garbage
to eat, and there's only a bleak exhaustion.
Speaking of which, it's the smiling
tires me out the most.
This, and the pretense
that I can't hear them.
And I can't, because I'm after all
a foreigner to them.
The speech here is all warty gutturals,
obvious as a slam of ham,
but I come from the province of the gods
where meaning are lilting and oblique.
I don't let on to everyone,
but lean close, and I'll whisper:
My mothers was raped by a holy swan.
You believe that? You can take me out to dinner.
That's what we tell all the husbands.
There sure are a lot of dangerous birds around.
Not that anyone here
but you would understand.
The rest of them would like to watch me
and feel nothing. Reduce me to components
as in a clock factory or abattoir.
Crush out the mystery.
Wall me up alive
in my own body.
They'd like to see through me,
but nothing is more opaque
than absolute transparency.
Look - my feet don't hit the marble!
Like breath or a balloon, I'm rising,
I hover six inches in the air
in my blazing swan-egg of light.
You think I'm not a goddess?
Try me.
This is a torch song.
Touch me and you'll burn.

Your house shall be not an anchor but a mast
It shall not be a glistening film that covers a wound, but an eyelid that guards the eye.

The Loneliness of the Military Historian
Confess: it's my profession
that alarms you.
This is why few people ask me to dinner,
though Lord knows I don't go out of my way to be scary.
I wear dresses of sensible cut
and unalarming shades of beige,
I smell of lavender and go to the hairdresser's:
no prophetess mane of mine,
complete with snakes, will frighten the youngsters.
If I roll my eyes and mutter,
if I clutch at my heart and scream in horror
like a third-rate actress chewing up a mad scene,
I do it in private and nobody sees
but the bathroom mirror.
In general I might agree with you:
women should not contemplate war,
should not weigh tactics impartially,
or evade the word
enemy
,
or view both sides and denounce nothing.
Women should march for peace,
or hand out white feathers to arouse bravery,
spit themselves on bayonets
to protect their babies,
whose skulls will be split anyway,
or,having been raped repeatedly,
hang themselves with their own hair.
There are the functions that inspire general comfort.
That, and the knitting of socks for the troops
and a sort of moral cheerleading.
Also: mourning the dead.
Sons,lovers and so forth.
All the killed children.
Instead of this, I tell
what I hope will pass as truth.
A blunt thing, not lovely.
The truth is seldom welcome,
especially at dinner,
though I am good at what I do.
My trade is courage and atrocities.
I look at them and do not condemn.
I write things down the way they happened,
as near as can be remembered.
I don't ask
why
, because it is mostly the same.
Wars happen because the ones who start them
think they can win.
In my dreams there is glamour.
The Vikings leave their fields
each year for a few months of killing and plunder,
much as the boys go hunting.
In real life they were farmers.
The come back loaded with splendour.
The Arabs ride against Crusaders
with scimitars that could sever
silk in the air.
A swift cut to the horse's neck
and a hunk of armour crashes down
like a tower. Fire against metal.
A poet might say: romance against banality.
When awake, I know better.
Despite the propaganda, there are no monsters,
or none that could be finally buried.
Finish one off, and circumstances
and the radio create another.
Believe me: whole armies have prayed fervently
to God all night and meant it,
and been slaughtered anyway.
Brutality wins frequently,
and large outcomes have turned on the invention
of a mechanical device, viz. radar.
True, valour sometimes counts for something,
as at Thermopylae. Sometimes being right -
though ultimate virtue, by agreed tradition,
is decided by the winner.
Sometimes men throw themselves on grenades
and burst like paper bags of guts
to save their comrades.
I can admire that.
But rats and cholera have won many wars.
Those, and potatoes,
or the absence of them.
It's no use pinning all those medals
across the chests of the dead.
Impressive, but I know too much.
Grand exploits merely depress me.
In the interests of research
I have walked on many battlefields
that once were liquid with pulped
men's bodies and spangled with exploded
shells and splayed bone.
All of them have been green again
by the time I got there.
Each has inspired a few good quotes in its day.
Sad marble angels brood like hens
over the grassy nests where nothing hatches.
(The angels could just as well be described as
vulgar
or
pitiless
, depending on camera angle.)
The word
glory
figures a lot on gateways.
Of course I pick a flower or two
from each, and press it in the hotel Bible
for a souvenir.
I'm just as human as you.
But it's no use asking me for a final statement.
As I say, I deal in tactics.
Also statistics:
for every year of peace there have been four hundred
years of war.

How does light enter a house? If the windows are open. How does light enter a human? If the door of love is open.

At forty-three, I bought my first house. I’d wanted one like crazy. A house meant family, a happy childhood for my litttle girl and for the little girl self inside me. . . . I was soon overwhelmed by the upkeep and overcome by the yardwork. . . . In the bright light of closing, it was obvious: it was never a house I wanted; it was what a house symbolized to me. (254)

You're my life, Elle. When we have our children, they'll be included in that circle and I'm not a man to lose everything. I want you as safe as possible."
"So you don't think three protection dogs, a room filled with weapons, a panic room and house that eats people isn't just a little overkill?

A home is not a mere transient shelter: its essence lies in the personalities of the people who live in it.

Let's sum up... a little house, white and green or to be made so... with trees, preferably birch and spruce... a window looking seaward... on a hill. That sounds very possible... but there is one other requirement. There must be magic about it, Jane... lashings of magic... and magic houses are scarce, even on the Island. Have you any idea at all what I mean, Jane?"
Jane reflected.
"You want to feel that the house is yours before you buy it," she said.
"Jane," said dad, "you are too good to be true.

I should have asked why any room in the house was better than home to me when she entered it, and barren as a desert when she went out again—why I always noticed and remembered the little changes in her dress that I had noticed and remembered in no other woman’s before—why I saw her, heard her, and touched her (when we shook hands at night and morning) as I had never seen, heard, and touched any other woman in my life?

I stood on the street, staring up at the most normal-looking house in the world. My house. I'd lived there my entire life. It was home. It was safe.
It was haunted.
The only other explanation was that I was demented. I couldn't say which I was rooting for.

The Gingerbread House has four walls, a roof, a door, a window, and a chimney. It is decorated with many sweet culinary delights on the outside.
But on the inside there is nothing—only the bare gingerbread walls.
It is not a real house—not until you decide to add a Gingerbread Room.
That’s when the stories can move in.
They will stay in residence for as long as you abstain from taking the first gingerbread bite.

The poorest person on earth is not the person who has no job, no cars, no money and no house. The poorest person is the one who has no vision. Visionlessness is poverty in disguise.

Oh, I wish I lived in a caravan!’ said Jimmy longingly. ‘How lovely it must be to live in a house that has wheels and can go away down the lanes and through the towns, and stand still in fields at night!

Casy said, "Ol' Tom's house can't be more'n a mile from here. Ain't she over that third rise?"
Sure," said Joad. "Less somebody stole it, like Pa stole it."
Your pa stole it?"
Sure, got it a mile an' a half east of here an' drug it. Was a family livin' there, an' they moved away. Grampa an' Pa an' my brother Noah like to took the whole house, but she wouldn't come. They only got part of her. That's why she looks so funny on one end. They cut her in two an' drug her over with twelve head of horses and two mules. They was goin' back for the other half an' stick her together again, but before they got there Wink Manley come with his boys and stole the other half. Pa an' Grampa was pretty sore, but a little later them an' Wink got drunk together an' laughed their heads off about it. Wink, he says his house is a stud, an' if we'll bring our'n over an' breed 'em we'll maybe get a litter of crap houses. Wink was a great ol' fella when he was drunk. After that him an' Pa an' Grampa was friends. Got drunk together ever' chance they got.

Listen. Look. Desire is a house. Desire needs closed space. Desire runs out of doors or windows, or slats or pinpricks, it can’t fit under the sky, too large. Close the doors. Close the windows. As soon as you laugh from nerves or make a joke or say something just to say something or get all involved with the bushes, then you blow open a window in your house of desire and it can’t heat up as well. Cold draft comes in.

Oh, I wish I lived in a caravan! said Jimmy longingly. How lovely it must be to live in a house that has wheels and can go away down the lanes and through the towns, and stand still in fields at night!

As a young child I had Santa and Jesus all mixed up. I could identify Coke or Pepsi with just one sip, but I could not tell you for sure why they strapped Santa to a cross. Had he missed a house? Had a good little girl somewhere in the world not received the doll he’d promised her, making the father angry? (p.3)

Casy said, "Ol' Tom's house can't be more'n a mile from here. Ain't she over that third rise?"

Sure," said Joad. "Less somebody stole it, like Pa stole it."

Your pa stole it?"

Sure, got it a mile an' a half east of here an' drug it. Was a family livin' there, an' they moved away. Grampa an' Pa an' my brother Noah like to took the whole house, but she wouldn't come. They only got part of her. That's why she looks so funny on one end. They cut her in two an' drug her over with twelve head of horses and two mules. They was goin' back for the other half an' stick her together again, but before they got there Wink Manley come with his boys and stole the other half. Pa an' Grampa was pretty sore, but a little later them an' Wink got drunk together an' laughed their heads off about it. Wink, he says his house is a stud, an' if we'll bring our'n over an' breed 'em we'll maybe get a litter of crap houses. Wink was a great ol' fella when he was drunk. After that him an' Pa an' Grampa was friends. Got drunk together ever' chance they got.

This is terrific. What a gorgeous kitchen. You’ve decorated it so beautifully. Now you’re going to have to clear all the counters. Vases. Books. Knickknacks. Get rid of all that stuff. I mean, it is just beautiful. Beautiful. I love what you’ve done with this house. Make sure you put it all away. ~Real estate agent (p.76)