I could not tell you if I loved you the first moment I saw you, or if it was the second or third or fourth. But I remember the first moment I looked at you walking toward me and realized that somehow the rest of the world seemed to vanish when I was with you.
There is nothing on earth more beautiful to me than your smile...no sound sweeter than your laughter...no pleasure greater than holding you in my arms. I realized today that I could never live without you, stubborn little hellion that you are. In this life and the next, you’re my only hope of happiness. Tell me, Lillian, dearest love...how can you have reached so far inside my heart?
I've been saying it so long to you, you just wouldn't listen. Every time you said 'Farm Boy do this' you thought I was answering 'As you wish' but that's only because you were hearing wrong. 'I love you' was what it was, but you never heard.
How could he convey to someone who'd never even met her the way she always smelled like rain, or how his stomach knotted up every time he saw her shake loose her hair from its braid? How could he describe how it felt when she finished his sentences, turnec the mug they were sharing so that her mouth landed where his had been? How did he explain the way they could be in a locker room, or underwater, or in the piney woods of Maine, bus as long as Em was with him, he was at home?
I love you, he thought, looking at Win. I love every part of you, every thought and word... the entire complex, fascinating bundle of all the things you are. I want you with ten different kinds of need at once. I love all the seasons of you, the way you are now, the thought of how much more beautiful you'll be in the decades to come. I love you for being the answer to every question my heart could ask.
Do you really have any idea how important you are to me? Any concept at all of how much I love you?" He pulled me tighter against his hard chest, tucking my head under his chin. I pressed my lips against his snow-cold neck. "I know how much I love you," I answered. You compare one small tree to the entire forest." I rolled my eyes, but he couldn't see. "Impossible.
Alexander, Caesar, Charlemagne, and I have founded empires. But on what did we rest the creations of our genius? Upon force. Jesus Christ founded his empire upon love; and at this hour millions of men would die for him.
I know I'm a bad bargain. But I'm begging you to have me anyway. Because I want a chance to make you as happy as you make me. I want to build a life with you." He fought to steady his voice. "Please come to me, Cat, because there's no surviving you. You don't have to love me back. You don't have to be mine. Just let me be yours.
It is often argued that religion is valuable because it makes men good, but even if this were true it would not be a proof that religion is true. That would be an extension of pragmatism beyond endurance. Santa Claus makes children good in precisely the same way, and yet no one would argue seriously that the fact proves his existence. The defense of religion is full of such logical imbecilities. The theologians, taking one with another, are adept logicians, but every now and then they have to resort to sophistries so obvious that their whole case takes on an air of the ridiculous. Even the most logical religion starts out with patently false assumptions. It is often argued in support of this or that one that men are so devoted to it that they are willing to die for it. That, of course, is as silly as the Santa Claus proof. Other men are just as devoted to manifestly false religions, and just as willing to die for them. Every theologian spends a large part of his time and energy trying to prove that religions for which multitudes of honest men have fought and died are false, wicked, and against God.
Listen, O drop, give yourself up without regret, and in exchange gain the Ocean. Listen, O drop, bestow upon yourself this honor, and in the arms of the Sea be secure. Who indeed should be so fortunate? An Ocean wooing a drop! In God's name, in God's name, sell and buy at once! Give a drop, and take this Sea full of pearls.
Do you see, Harry? Do you see the flaw in my brilliant plan now? I had fallen into the trap I had foreseen, that I had told myself I could avoid, that I must avoid. I don’t — I cared about you too much, said Dumbledore simply. I cared more for your happiness than your knowing the truth, more for your peace of mind than my plan, more for your life than the lives that might be lost if the plan failed. In other words, I acted exactly as Voldemort expects we fools who love to act. Is there a defense? I defy anyone who has watched you as I have — and I have watched you more closely than you can have imagined — not to want to save you more pain than you had already suffered. What did I care if numbers of nameless and faceless people and creatures were slaughtered in the vague future, if in the here and now you were alive, and well, and happy? I never dreamed that I would have such a person on my hands.
The credit belongs to those who are actually in the arena, who strive valiantly; who know the great enthusiasums, the great devotions, and spend themselves in a worthy cause; who at best know the triumph of high achievement; and who, at worst, if they fail, fail while daring greatly, so that their place shall never be with those cold and timid souls who know neither victory nor defeat.
To love is to accept a soul entirely, not wishing that the person was otherwise, nor hoping for change, nor clinging to some ideal past. To love is to cherish the individual standing before you presently―charms, quirks, and all. To love is to give someone a piece of your heart that you will never, ever reclaim.
Goodbye, Room." I wave up at Skylight. "Say goodbye," I tell Ma. "Goodbye, Room." Ma says it but on mute. I look back one more time. It's like a crater, a hole where something happened. Then we go out the door.
How can I live without thee, how forego Thy sweet converse, and love so dearly joined, To live again in these wild woods forlorn? Should God create another Eve, and I Another rib afford, yet loss of thee Would never from my heart; no, no, I feel The link of nature draw me: flesh of flesh, Bone of my bone thou art, and from thy state Mine never shall be parted, bliss or woe.
I know that she deserves the best and purest love the heart of man can offer," said Mrs. Maylie; "I know that the devotion and affection of her nature require no ordinary return, but one that shall be deep and lasting.
I believe that many who find that "nothing happens" when they sit down, or kneel down, to a book of devotion, would find that the heart sings unbidden while they are working their way through a tough bit of theology with a pipe in their teeth and a pencil in their hand.
I knew then that I would devote every minute we had left together to making her happy, to repairing the pain I had caused her and returning to her what I never known how to give her. These pages will be our memory until she drows her last breath in my arms and I take her forever and escape at last to a place where neither heaven nor hell will ever be able to find us.
No, my dog used to gaze at me, paying me the attention I need, the attention required to make a vain person like me understand that, being a dog, he was wasting time, but, with those eyes so much purer than mine, he’d keep on gazing at me with a look that reserved for me alone all his sweet and shaggy life, always near me, never troubling me, and asking nothing.
Isabella." He pronounced my full name carefully, then playfully ruffled my hair with his free hand. A shock ran through my body at his casual touch. "Bella, I couldn't live with myself if I ever hurt you. You don't know how it's tortured me." He looked down, ashamed again. "The thought of you, still, white, cold . . . to never see you blush scarlet again, to never see that flash of intuition in your eyes when you see through my pretenses . . . it would be unendurable." he lifted his glorious, agonized eyes to mine. "You are the most important thing to me now. The most important thing to me ever.
She sang, as requested. There was much about love in the ballad: faithful love that refused to abandon its object; love that disaster could not shake; love that, in calamity, waxed fonder, in poverty clung closer. The words were set to a fine old air -- in themselves they were simple and sweet: perhaps, when read, they wanted force; when well sung, they wanted nothing. Shirley sang them well: she breathed into the feeling, softness, she poured round the passion, force: her voice was fine that evening; its expression dramatic: she impressed all, and charmed one. On leaving the instrument, she went to the fire, and sat down on a seat -- semi-stool, semi-cushion: the ladies were round her -- none of them spoke. The Misses Sympson and the Misses Nunnely looked upon her, as quiet poultry might look on an egret, an ibis, or any other strange fowl. What made her sing so? They never sang so. Was it proper to sing with such expression, with such originality -- so unlike a school girl? Decidedly not: it was strange, it was unusual. What was strange must be wrong ; what was unusual must be improper . Shirley was judged.
There were six dolls to be taken up and dressed every morning, for Beth was a child still, and loved her pets as well as ever. Not one whole or handsome one among them; all were outcasts till Beth took them in; for, when her sisters outgrew these idols, they passed to her.... Beth cherished them all the more tenderly for that very reason, and set up a hospital for infirm dolls. No pins were ever stuck into their cotton vitals; no harsh words or blows were ever given them; no neglect ever saddened the heart of the most repulsive: but all were fed and clothed, nursed and caressed, with an affection which never failed.