True spiritual love is not a feeble imitation and anticipation of death, but a triumph over death, not a separation of the immortal form from the mortal, of the eternal from the temporal, but a transfiguration of the mortal into the immortal, the acceptance of the temporal into the eternal. False spirituality is a denial of the flesh; true spirituality is the regeneration of the flesh, its salvation, its resurrection from the dead.
Pulling through is what people do around here. There is a kind of bravery in their lives that isn’t bravery at all. It is automatic, unflinching, a mix of man and machine, consuming and unquestionable obligation meeting illness move for move in a giant even-steven game of chess – an unending round of something that looks like shadowboxing, though between love and death, which is the shadow? Everyone admires us for our courage, says one man. They have no idea what they’re talking about.
Courage requires options, the man adds.
There are options, says a woman with a thick suede headband. You could give up. You could fall apart.
No you can’t. Nobody does. I’ve never seen it, says the man. Well, not really fall apart.
Lorrie Moore
I could simply
kill you now,
get it over with,
who would
know the difference?
I could easily
kick you in, stove you
under, for all those times,
mean on gin,
you rammed words
into my belly. (p. 52)
Gabriel García Márquez
oh.
she heard it
too-no waters
coursing, canyon
empty, sun
soundless-
and the beast
your life
nowhere
hiding (p. 103)
blue-gold sky, fresh cloud,
emerald-black mountain, trees
on rocky ledges,
on the summit, the tiny pin
of a telephone tower-all
brilliantly clear,
in shadow and out.
and on and through
everything
everywhere
the sun shines
without reservation (p. 97)
...gripping the
rim of the sink
you claw your
way to stand
and cling there,
quaking with
will, on
heron legs,
and still the hot
muck pours
out of you. (p. 27)
Façade. One, simple word. But, very complex portents. It’s like living a life of half-dead. You are neither fully inside a grave, nor completely out of it, beyond the oppressive calmness of the slabs, tombstones and plaques. There is one solace though, you soon discover that you are not alone in the vast graveyard of the half-dead. This is what Kamini soon realized when she plunged herself back into the world that the destiny had conspired her to inherit.
Pru curled up in the bay window and looked out at the city. People were going to the movies, parents were putting their children to bed. Suddenly, she feared for them all. She remembered, as she did from time to time, that everyone was going to die. Plane crashes, heart attacks, the slow erosion of bones. How did we manage to forget this, she wondered, and get through our daily lives? It was astonishing to her. Everybody was going to die, but still they did the laundry, watered the plants, dug out the scum around the taps in the bathroom,. They let themselves love others, who were also going to die. They created little beings, who they also loved, and who will, one day, cease to exist. What did it matter how love ended? So it ended for Patsy with Jacob returning to his wife, instead of with his death. Did it really matter so much? She thought of something her mother used to say, a warning she gave whenever they’d begun to fight over some precious object or another: It’s going to end in tears girls! It always ends in tears.
For a long time, she’d thought the whole problem was about finding love. She’d thought that, once she’d found it, she’d basically be done. Set. Good to go. Funny how until just now, she hadn’t put it all together: All love ended, somehow. One way, or another.
It was all going to end in tears, wasn’t it?
Rebecca Flowers
Sera calls up Drew to tell him about this girl she has just met and is really into and how she doesn’t want to rush into things, and Drew tells her to go for it, to not waste time, that she or the girl in question could die tomorrow, that life can be taken faster than the flick of a switch, and Sera gets upset and tells Drew to quit the death talk, and Drew says, After seeing friends of mine in boxes, as motionless as caged flesh in a meat cooler, I just can’t do that, and Sera says God, I can’t tell you anything, can I? before hanging up, and Drew, ignoring this sudden silence, starts thinking about the clay morticians use to mask the truth about dead things.
Elle avait fini par se résoudre à sauter du véhicule quand une énorme explosion retentit au loin [...]. Le bruit secoua le carrosse qui continuait de s’éloigner, réveillant Elena qui jusque-là dormait profondément. [...] Ses yeux s’emplirent de larmes avant qu’elle-même ne se mette à crier, leurs voix résonnant en écho dans le désert de dunes.
RELATED TOPICS
5681 Quotes
26933 Quotes
128 Quotes
327 Quotes
12 Quotes
360 Quotes
1156 Quotes
649 Quotes
TOP COLLECTIONS
Or Use