Gone Girl

By Gillian Flynn

Gone Girl

 4.1 

Gone Girl

44 Quotes    4.1 

Marriage has the potential to be a real killer. Nick and Amy Dunne are celebrating their fifth wedding anniversary on a hot summer morning in North Carthage, Missouri. When Nick's clever and beautiful wife disappears from their rented McMansion on the Mississippi River, presents are being wrappe... d and reservations are being made. With cringe-worthy daydreams about the slope and shape of his wife's head, Husband-of-the-Year Nick isn't doing himself any favors, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone on edge. The town's golden boy parades an endless series of lies, deceptions, and inappropriate behavior under increasing pressure from the police and the media, as well as Amy's adoring parents. Nick is strangely evasive, and he's clearly bitter—but is he a serial killer? As the cops approach, every couple in town begins to question how well they know the one they love. Nick defends his innocence with the help of his twin sister, Margo. The problem is, where is Nick's lovely wife if he didn't do it? What was in that silvery gift box tucked away in the back of her closet? Gillian Flynn confirms her status as one of the hottest writers around with a fast-paced, devilishly dark, and ingeniously plotted thriller that showcases her razor-sharp writing and trademark psychological insight. Gillian Flynn, one of our time's most critically acclaimed suspense writers, takes that statement to its darkest conclusion in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. Gone Girl's toxic blend of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn, according to the Chicago Tribune. gillian-flynn.com is the source of this information.

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  • PUBLISHED BY

    Broadway books

  • PUBLISHED ON

    Apr 22, 2014

  • ISBN

  • FORMAT

    Paperback

  • LANGUAGE

    English

  • NO. OF PAGES

    415

Other Formats

Gone Girl

Gone Girl

578 Pages
English

Quotes from Gone Girl

The ones who are not soul-mated – the ones who have settled – are even more dismissive of my singleness: It’s not that hard to find someone to marry, they say. No relationship is perfect, they say – they, who make do with dutiful sex and gassy bedtime rituals, who settle for TV as conversation, who believe that husbandly capitulation – yes, honey, okay, honey – is the same as concord.
He’s doing what you tell him to do because he doesn’t care enough to argue
, I think.
Your petty demands simply make him feel superior, or resentful, and someday he will fuck his pretty, young coworker who asks nothing of him, and you will actually be shocked
.
Give me a man with a little fight in him, a man who calls me on my bullshit. (But who also kind of likes my bullshit.) And yet: Don’t land me in one of those relationships where we’re always pecking at each other, disguising insults as jokes, rolling our eyes and ‘playfully’ scrapping in front of our friends, hoping to lure them to our side of an argument they could not care less about. Those awful
if only
relationships:
This marriage would be great if only…
and you sense the
if only
list is a lot longer than either of them realizes.
So I know I am right not to settle, but it doesn’t make me feel better as my friends pair off and I stay home on Friday night with a bottle of wine and make myself an extravagant meal and tell myself,
This is perfect
, as if I’m the one dating me. As I go to endless rounds of parties and bar nights, perfumed and sprayed and hopeful, rotating myself around the room like some dubious dessert. I go on dates with men who are nice and good-looking and smart – perfect-on-paper men who make me feel like I’m in a foreign land, trying to explain myself, trying to make myself known. Because isn’t that the point of every relationship: to be known by someone else, to be understood? He
gets
me. She
gets
me. Isn’t that the simple magic phrase?
So you suffer through the night with the perfect-on-paper man – the stutter of jokes misunderstood, the witty remarks lobbed and missed. Or maybe he understands that you’ve made a witty remark but, unsure of what to do with it, he holds it in his hand like some bit of conversational phlegm he will wipe away later. You spend another hour trying to find each other, to recognise each other, and you drink a little too much and try a little too hard. And you go home to a cold bed and think,
That was fine
. And your life is a long line of fine.

For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word
derivative
as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed.
Mona Lisa
, the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé:
Seeeen it
. I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.
It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.
It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.
I would have done anything to feel real again.

Dorothy has one of those kitten-in-a-tree posters-- Hang in There! She posts her poster with all sincerity. I like to picture her running into some self-impressed Williamsburg bitch, all Bettie Page bangs and pointy glasses who owns the same poster ironically. I'd like to listen to them try to negotiate each other. Ironic people always dissolve when confronted with earnestness. It's their Kryptonite.

It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.

There's a difference between really loving someone and loving the idea of her.

I am fat with love! Husky with ardor! Morbidly obese with devotion! A happy, busy bumblebee of marital enthusiasm. I positively hum around him, fussing and fixing. I have become a strange thing. I have become a wife. I find myself steering the ship of conversations- bulkily, unnaturally- just so I can say his name aloud. I have become a wife, I have become a bore, I have been asked to forfeit my Independent Young Feminist card. I don't care. I balance his checkbook, I trim his hair. I've gotten so retro, at one point I will probably use the word pocketbook, shuffling out the door in my swingy tweed coat, my lips red, on the way to the beauty parlor. Nothing bothers me. Everything seems like it will turn out fine, every bother transformed into an amusing story to be told over dinner. 'So I killed a hobo today, honey...hahahaha! Ah, we have fun

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